U.S. Marshals (1998)
C'est par hasard, à la suite d'un banal accident de la circulation, que la police de Chicago retrouve la piste de Mark Roberts, recherché pour un double meurtre. Le prévenu est placé sous la garde de l'US Marshal Samuel Gerard pour être extradé par avion sur New York avec une vingtaine de prisonniers. Au cours du vol, un détenu s'empare d'une arme et tire sur Robert. Il rate son objectif et pulverise un hublot. C'est le crash. L'appareil termine sa course dans l'Ohio. Une fois l'épave évacuée, le marshal découvre que Roberts a disparu...
Directeur:
Stuart Baird
écrivain:
John Pogue
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U.S. Marshals Review
Dedrick Germany
Die Geschichte des Films ist sehr interessant, war ich in der glücklichen Lage, es zu sehen sein.
Adam France
Histoire intéressante, le meilleur Film ..
Anthony United States
This movie is very good indeed, is the best movie I guess !!
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équipage
| Directing | Stuart Baird | Director |
| Writing | John Pogue | Screenplay |
| Production | Arnold Kopelson | Producer |
| Production | Anne Kopelson | Producer |
| Camera | Andrzej Bartkowiak | Director of Photography |
| Editing | Terry Rawlings | Editor |
| Production | Amanda Mackey | Casting |
| Writing | Roy Huggins | Characters |
| Production | Keith Barish | Executive Producer |
| Production | Stephen Joel Brown | Co-Producer |
| Production | Glenn Richard Côté | Associate Producer |
| Production | Wolfgang Glattes | Co-Executive Producer |
| Production | Roy Huggins | Executive Producer |
| Production | Linda Warren | Associate Producer |
| Sound | Jerry Goldsmith | Original Music Composer |
| Production | Cathy Sandrich | Casting |
| Art | Bruce Alan Miller | Art Direction |
| Art | Mark Worthington | Art Direction |
| Art | Maher Ahmad | Production Design |
| Art | Gene Serdena | Set Decoration |
| Costume & Make-Up | Louise Frogley | Costume Design |
| Production | Jane Alderman | Casting |
| Production | Catherine Head | Casting Associate |
| Production | Mercedes Kelso | Casting Associate |
| Production | Elizabeth Lang | Casting Associate |
| Costume & Make-Up | Mitchell Ray Kenney | Costume Supervisor |
| Costume & Make-Up | Joe McCloskey | Costume Supervisor |
| Directing | Dru Anne Carlson | Script Supervisor |
| Camera | Michael Scott | Camera Operator |
| Camera | George Kohut | Camera Operator |
| Camera | James M. Muro | Steadicam Operator |
| Camera | Gregory Lundsgaard | Steadicam Operator |
| Camera | Michael P. Weinstein | Still Photographer |
| Lighting | Terry Dee | Rigging Gaffer |
| Crew | Tim Grover | Visual Effects Editor |
| Visual Effects | Peter Donen | Visual Effects Supervisor |
| Crew | Michael Meinardus | Special Effects Coordinator |
| Sound | Joan Rowe | Foley |
| Sound | Kevin Bartnof | Foley |
| Sound | Gordon Ecker | Sound Effects Editor |
| Sound | Glenn Hoskinson | Sound Effects Editor |
| Sound | Steve Mann | Sound Effects Editor |
| Sound | Donald L. Warner Jr. | Sound Effects Editor |
| Sound | Bernard Weiser | Sound Effects Editor |
| Sound | Anthony Milch | Sound Effects Editor |
| Sound | John Leveque | Supervising Sound Editor |
| Production | Dana Burdi | Researcher |
| Costume & Make-Up | Cydney Cornell | Hairstylist |
| Costume & Make-Up | June Westmore | Makeup Artist |
| Costume & Make-Up | Monty Westmore | Makeup Artist |
| Costume & Make-Up | Cyndi Reece-Thorne | Makeup Artist |
| Costume & Make-Up | Allan A. Apone | Makeup Artist |
| Editing | Tim Grover | First Assistant Editor |
| Art | David W. Krummel | Assistant Art Director |
| Art | John F. McHugh | Construction Coordinator |
| Art | P.J. Abrahams | Location Scout |
| Art | Anthony Joseph Fatigato | Painter |
| Art | Sherman Labby | Production Illustrator |
| Art | Richard Fernandez | Set Designer |
| Camera | Steve Adcock | Additional Camera |
| Camera | Steven J. Winslow | Camera Technician |
| Camera | Peter Mercurio | First Assistant Camera |
| Camera | Morgan Michael Lewis | Key Grip |
| Camera | Ray Conchado | Grip |
| Camera | Kurt E. Soderling | Aerial Director of Photography |
| Costume & Make-Up | Jon Nicholson | Set Dressing Artist |
| Crew | Ken Cabrera | Craft Service |
| Crew | David Sosalla | Digital Effects Supervisor |
| Crew | Steven Silverstein | Loader |
| Crew | Russ Kavanaugh | Post Production Supervisor |
| Art | Tracy Farrington | Property Master |
| Crew | Tad Kranowski | Sequence Supervisor |
| Crew | Bill Vergos | Set Production Assistant |
| Crew | Andy-John | Stand In |
| Crew | Gary Davis | Stunt Coordinator |
| Crew | Mickey Alzola | Stunts |
| Crew | Patrick Phillips | Technical Supervisor |
| Crew | George DiLeonardi | Transportation Coordinator |
| Production | Alma Kuttruff | Unit Production Manager |
| Crew | Ernie Malik | Unit Publicist |
| Crew | Spitfire Brown | Utility Stunts |
| Directing | Vincent Lascoumes | Assistant Director |
| Editing | Bob Putynkowski | Color Timer |
| Lighting | Chris Freres | Best Boy Electric |
| Lighting | Michael J. Maurer | Electrician |
| Lighting | Mark N. Woods | Gaffer |
| Lighting | Bob Gomez | Rigging Grip |
| Production | Betsy Bottando | Location Manager |
| Production | Cheryl A. Stone | Production Accountant |
| Production | Lori Bridwell | Production Supervisor |
| Sound | Dale R. Janus | Boom Operator |
| Sound | Brooke Henderson Ward | Assistant Sound Editor |
| Sound | Kenneth Hall | Music Editor |
| Sound | Alexander Courage | Orchestrator |
| Sound | Scott D. Smith | Sound Mixer |
| Visual Effects | Olivier Sarda | Digital Compositors |
| Crew | Mark Sheafer | Machinist |
| Sound | Virginia Cook-McGowan | Dialogue Editor |
| Sound | Kimberly Ellen Lowe | Dialogue Editor |
| Sound | Robert Troy | Dialogue Editor |
| Sound | Marshall Winn | ADR Editor |
| Sound | William C. Carruth | ADR Editor |
| Sound | Linda Folk | ADR Editor |
| Camera | Allen Baker | Second Unit Director of Photography |
